Somewhere . . . We Are Human (Fall 2024)
The 2024–2025 Public Programs and Engagement Series of Engine for Art, Democracy & Justice (EADJ) at Vanderbilt University is organized around the thematic north star — Somewhere We Are Human — a collective vision for a time and space where no one’s humanity is ever in question.
For Fall 2024, the series looks at the city of Nashville and the American South through a lens of migration, exploring the ways immigrant communities have shaped the region’s history and are envisioning its future through art and activism. Via exhibitions, conversations, community meals, film screenings, readings, research, and education programs, Somewhere We Are Human gathers local and global artists, curators, writers, filmmakers, educators, scholars, chefs, and community leaders invested in being catalysts for equity, democracy, and justice.
Somewhere We Are Human is conceived and organized by Curator Grace Aneiza Ali with the leadership of Professor María Magdalena Campos-Pons, EADJ Founder and Cornelius Vanderbilt Professor of Art and support of the EADJ Team, Dr. Claudine Taaffe, Associate Director, Danielle Myers, Program Manager, and Simon Tatum, Program Coordinator.
*Somewhere We Are Human takes its title from the anthology gathering voices on migration, survival, and new beginnings, edited by Reyna Grande and Sonia Guiñansaca.
October 2024
Saturday, October 5, 12:00–3:00 p.m.
Begonia Labs Open House
Begonia Labs (EADJ), 2805 West End Ave, Nashville, TN 37203
James Kuol Makuac: my heart is strong because I walked on blistered feet
Join us for the Begonia Labs Open House — a family-friendly afternoon of fun and artmaking activities.
- Color by Numbers: Create your own version of the paintings featured in James Kuol Makuac: my heart is strong because i walked on blistered feet.
- Story Time: Read Brothers in Hope: The Story of the Lost Boys of the Sudan and My Life Before featured in our Reading Space.
- Art & Poetry | Write What You See: Get inspired by the artist’s poetry in his book My Life Before and write your own poetry in response.
- Exhibition Tour: my heart is strong because i walked on blistered feet.
*The Begonia Labs Open House is a short walk from the Celebrate Nashville Cultural Festival happening nearby at Centennial Park. Join us for both.
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Thursday, October 17, 7:30pm
JACIR
Sarratt Cinema, 1st Floor | 2301 Vanderbilt Pl, Nashville, TN 37240
In partnership with INTERNATIONAL LENS at Vanderbilt’s Department of Cinema & Media Arts
[Use Flyer Branding when ready]
JACIR is a look through the eyes of a Syrian refugee as he faces the harsh realities of chasing the American dream while living in poverty on the streets of Memphis. (English, Arabic. 105 min.) The film will be introduced by Waheed AlQawasmi, followed by a post-screening conversation with Samar Ali, Founding President of Millions of Conversations.
*EADJ’s Migration in Film centers the voices of filmmakers and subject matters related to the immigrant experience. This screening is in collaboration with INTERNATIONAL LENS at Vanderbilt’s Department of Cinema & Media Arts, which encourages conversation and greater cross-cultural understanding through cinema.
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Monday, October 28, 6:00 p.m.
EADJ in Conversation with the Sudanese Community
Begonia Labs (EADJ), 2805 West End Ave, Nashville, TN 37203
James Kuol Makuac, featured artist in our Fall exhibition, my heart is strong because I walked on blistered feet, shares how he uses art to shed light on the stories of South Sudan. Joining him will be notable members of the Nashville Sudanese community. The evening will feature a special screening of Nashville Refuge with an introduction from Michael Carlson. Moderated by Jonathan Rattner, Cinema & Media Arts and Art, Vanderbilt University.
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Thursday, October 31, 7:00 p.m.
Reading with V.V. Ganeshananthan (Fiction)
Begonia Labs (EADJ), 2805 West End Ave, Nashville, TN 37203
V.V. Ganeshananthan is the author of the novels Brotherless Night, a New York Times Editors’ Choice, and an NPR Book of the Year, and Love Marriage. Her work has appeared in Granta, The New York Times, and The Best American Nonrequired Reading, among other publications. She teaches in the MFA program at the University of Minnesota, where she is a McKnight Presidential Fellow and associate professor of English. She co-hosts the Fiction/Non/Fiction podcast on Literary Hub, which is about the intersection of literature and the news.
*EADJ’s Narrative Change reading series highlights global and local writers whose work engages migrant stories.
Exhibitions
James Kuol Makuac:
my heart is strong because I walked on blistered feet
On view September 18–November 8, 2024
Begonia Labs, Engine for Art, Democracy & Justice (EADJ)
my heart is strong because I walked on blistered feet features the vibrant and expressive paintings of James Kuol Makuac (b. South Sudan, 1976; lives in Nashville) whose work reflects a life spent navigating between worlds. For nearly twenty years, Makuac has cultivated a practice of contemporary Sudanese painting that tells impossible stories of human tragedy and simultaneously speaks to survival and hope, grief and joy, surrender and determination.
About the Artist
James Kuol Makuac (b. South Sudan, 1976; lives in Nashville) has nurtured an art practice of contemporary Sudanese painting for the past twenty years. As one The Lost Boys of Sudan, young men who resettled in the U.S. as refugees of war, his vibrant and expressive paintings often bridge the culture of the South Sudanese people and his American life. His work has been shown in local and traveling exhibitions, including Lending Library, Metro Arts Commission and Nashville Public Library, Our Directional Light, Leu Gallery, Belmont University, and Life Before, University School of Nashville. His paintings are in public and private collections such as The Tennessee State Museum, Tyson Foods, and the Nashville Convention Center. Makuac, who speaks several languages, including Dinka, Arabic, Swahili, and Spanish, works as a translator at Tyson Foods. In 2020, he was selected as one of Nashville’s Most Fascinating People by Nashville Lifestyles Magazine.
The Begonia | Catalyst exhibition series celebrates the life and practice of pioneering but under-recognized artists. The exhibition is curated by Grace Aneiza Ali, EADJ Curator with curatorial assistance from Simon Tatum and Danielle Myers.
September 2024
Begonia Labs (EADJ), 2805 West End Ave, Nashville, TN 37203
Tuesday, September 24, 6:00–8:00 p.m.
Opening Reception
James Kuol Makuac: my heart is strong because I walked on blistered feet
Join EADJ and the artist James Kuol Makuac for the opening reception of
my heart is strong because I walked on blistered feet. The evening will feature small bites
from Gojo Ethiopian Cafe and special remarks from the artist.
Wednesday, September 25, 12:30–2:00 p.m.
Curatorial Long Table, Begonia | Curatorial Lab
The Begonia | Curatorial Lab is a platform for research, collaboration, and artist and curator exchanges about pressing local and global issues. In the Curatorial Long Table, local and global curators with projects invested in The Global South(s) discuss formative and current projects and their visions for the role of the 21st century curator.
Invited Curators include:
- María Magdalena Campos-Pons, Ríos intermitentes (Matanzas, Cuba); Tennessee Triennial, RE-PAIR
- Grace Aneiza Ali, Somewhere We Are Human, EADJ
- Mark Scala, Chief Curator, Frist Art Museum
- Katie Delmez, Florine Démosthène and Didier William, Frist Art Museum
- Elena Bally, Fredi Fischli, Niels Olsen, Adam Szymczy (Zurich Curatorial Team), Beverly Buchanan: I Broke the House, Fisk University Galleries
- Jamaal Sheats, Beverly Buchanan: I Broke the House, Fisk University Galleries
- Vesna Pavlović, IMS Solidarity
- Raheleh Filsoofi, NIRMA Projects
Partner Events
Beverly Buchanan, Out of Control, 1991. Scrapbook, Beverly Buchanan papers, 1912–2017, bulk 1970s–90s.
Carl Van Vechten Art Gallery, Fisk University, 1000 17th Ave N, Nashville, TN 37208
Wednesday, September 25, 4:30 pm
Opening Reception
Beverly Buchanan: I Broke the House
I Broke the House spans Beverly Buchanan’s (1940–2015) wide-ranging oeuvre of sculpture, painting, photography, drawing, writing and printed matter. Her practice traces eroded surfaces of “City Ruins” on canvas and paper, researches vernacular dwellings and their builder-occupants in the rural South and persistently embeds long-neglected histories of anti-Black politics in their territorial surroundings. Decay serves as a primary aesthetic and theoretical principle by which the artist explored systemic racial, gender, and socioeconomic injustices through the prism of her own lived experience as a Black queer woman.
https://www.fiskuniversitygalleries.org/current-exhibitions-1
Thursday, September 26, 1:00 p.m.
Curators Talk: Beverly Buchanan: I Broke the House
Join the Zurich Curatorial team Elena Bally, Fredi Fischli, Niels Olsen, and Adam Szymczyk and Jamaal Sheats of Fisk University Galleries for a conversation on the exhibition, Beverly Buchanan: I Broke the House.
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María MagdalenaCampos-Pons: Behold includes over three decades of the artist’s work in photography, installation, video, painting, and performance. Hauntingly beautiful and emotionally charged, Behold shows how Campos-Pons’s layered identity as a Cuban woman with ancestral roots in the Yoruba culture of West Africa as well as in Spain and China inform her multimedia, sensorial artworks. Evoking the history of diaspora, displacement, and migration, as well as labor and race, and motherhood and spirituality, Behold invites us to join with the artist in the vital search for meaning and connectivity.
Frist Art Museum, 919 Broadway, Nashville, TN 37203
Thursday, September 26, 6:30 pm
Opening: María Magdalena Campos-Pons: Behold
Performance: “A Mother’s Rivers of Tears”
María Magdalena Campos-Pons: Behold includes over three decades of the artist’s work in photography, installation, video, painting, and performance. To celebrate the exhibition’s opening, Campos-Pons collaborates with Kamaal Malak to present A Mother’s River of Tears, an immersive performance. Drawing on ancestral rituals of the Yoruba people, the performance is a manifestation of many healing themes mirrored in Behold. It poetically commemorates the lives of Black men and women whose journeys were interrupted as result of historical fractures in the delivery of justice.
Friday, September 27, 12:00 p.m.
Conversation: María Magdalena Campos-Pons and Carmen Hermo
Join María Magdalena Campos-Pons and Curator Carmen Hermo for this conversation about the exhibition María Magdalena Campos-Pons: Behold.
https://fristartmuseum.org/exhibition/maria-magdalena-campos-pons/
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Beverly Buchanan, Out of Control, 1991. Scrapbook, Beverly Buchanan papers, 1912–2017, bulk 1970s–90s.
Beverly Buchanan: I Broke the House
On view September 25, 2024–March 1, 2025
Carl Van Vechten Art Gallery, Fisk University
Courtesy of the Archives of American Art, Smithsonian Institution.
I Broke the House spans Beverly Buchanan’s (1940–2015) wide-ranging oeuvre of sculpture, painting, photography, drawing, writing and printed matter. Her practice traces eroded surfaces of “City Ruins” on canvas and paper, researches vernacular dwellings and their builder-occupants in the rural South and persistently embeds long-neglected histories of anti-Black politics in their territorial surroundings. Decay serves as a primary aesthetic and theoretical principle by which the artist explored systemic racial, gender, and socioeconomic injustices through the prism of her own lived experience as a Black queer woman.
https://www.fiskuniversitygalleries.org/current-exhibitions-1
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María Magdalena Campos-Pons: Behold
On view September 26, 2024–January 5, 2025
Frist Art Museum
María MagdalenaCampos-Pons: Behold includes over three decades of the artist’s work in photography, installation, video, painting, and performance. Hauntingly beautiful and emotionally charged, Behold shows how Campos-Pons’s layered identity as a Cuban woman with ancestral roots in the Yoruba culture of West Africa as well as in Spain and China inform her multimedia, sensorial artworks. Evoking the history of diaspora, displacement, and migration, as well as labor and race, and motherhood and spirituality, Behold invites us to join with the artist in the vital search for meaning and connectivity.
About the Artist
María Magdalena Campos-Pons is the Cornelius Vanderbilt Endowed Chair Professor of Fine Arts at Vanderbilt University. In addition to her practice as an artist and professor, she has made a significant contribution to the larger art world and to Tennessee through her ongoing program Engine for Art, Democracy & Justice, which brings together scholars, critics, and artists from around the world in virtual seminars and physical artist interventions. She was the consulting curator for the 2023 Tennessee Triennial, a statewide series of exhibitions addressing the theme of “Re-Pair”—art as a means of healing a broken society. In 2023, Campos-Pons was named a MacArthur Fellow in recognition of her groundbreaking synthesis of cultures and mediums in advocating for art’s capacity to heal individuals and society.
This exhibition is organized by the Brooklyn Museum and the J. Paul Getty Museum. The exhibition is curated by Carmen Hermo, former Associate Curator, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum and Mazie Harris, Associate Curator, Department of Photographs, J. Paul Getty Museum with Jenée-Daria Strand, former Curatorial Associate, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.