What's on View
... no footprints, even.
January 30, 2025 - May 11, 2025
The history of arctic exploration and polar art abounds with images of sublime wonder, colonial appropriation, and heroic masculinity. Over many centuries, European and North American imagemakers have imagined our planet’s polar regions as timeless zones awaiting bold human deeds in search of meaning and life. Inhospitable and full of hazards, polar landscapes according to this tradition have either served as mere backdrops to individual gestures of bravery and endurance or showcased the folly and fragility of any human endeavor.
The work of Montreal-based artist Jessica Houston unsettles such imagery and asks us to develop new aesthetic approaches to engage with the poles’ icy landscapes. Shown for the first time in this constellation, … no footprints, even. gathers four distinct, yet intricately related bodies of work Houston has produced over the last decade. Though different in scope, medium, and process, Houston’s projects share an impulse to read dominant polar representations and travel narratives against the grain. They ask viewers to consider the deep time of geological processes; to decolonize the visual language of dominant polar art; to imagine alternate modes of polar travel that respect the entangled nature of the human and the non-human; and to investigate momentous resonances between art, science, and spiritualism. Troubled by the impact of human-induced climate change on Earth’s polar regions, Houston’s paintings, collages, photographs, and audio works offer glimpses of what it might take to walk more lightly on this planet.
Houston's Studio VU artist talk has been rescheduled for Monday, April 14 at 4:00p.m. on Zoom. Registration is required.
Essay
Follow this link to read/download co-curator Lutz Koepnick's essay about Jessica Houston's work.
Gallery Guide
Follow this link to download the detailed list of featured works and upcoming programs for ... no footprints, even.
Upcoming Exhibitions
Paper Backs: Hidden Stories of European Prints from VUMA’s Collection
Fall 2025

Exhibition Archive
Molecular Muse
Molecular Muse
August 7-November 17, 2024
This exhibit showcases the work of undergraduate artists in the VI4 AiR Program, which draws from their scientific research in the School of Medicine Basic Science.
Fall Salon
A salon style exhibition of work from the permanent collection to support Vanderbilt classes.
The Art of Healing
Corvidae by Sarah Bogdal
Organized by a medical student collective, The Art of Healing was a juried exhibition to form an art lending program for patients of Vanderbilt University Medical Center based on research of the role of art in recovery and wellness.
Gloss: A Measured Response to New Video Art
8.27.24-12.8.24
Gloss: A Measured Response to New Video Art is an exhibition of artists’ films from 2010 to now that demonstrate how the establishment and proliferation of social video and video-sharing platforms has produced a new quality of moving image artworks that departs from the modern and postmodern uses of the form from the 1960s onward. The most delicious recent video art is vibes: careful filmmaking renders not just striking aesthetics, but a totalizing affect. Featuring ten works from the US, UK, and South America, the exhibition brings multiple cutting-edge artworks and artists to Nashville, the region, and/or the US for the first time. Relying on big images and soundtracks to produce big feelings by tackling big ideas, these new videos are the product of culture as we experience it now: desperate and hopeful, and forever online.
An Installation by Amie Esslinger
Holding Impact
1.15.23-5.10.24
Imagine two neutron stars captured in each other’s gravitational force—orbiting each other, the tension building as their tentacles of energy begin to reach out and become entangled. Finally, they collide in a massive explosion of gravitational waves that spew radioactive waste and heavy metals such as gold and platinum. This moment of destruction creates spectacular beauty but is challenging to comprehend and unsettling. Likewise, Holding Impact captures an irreversible moment in which a series of eight distinctive multimedia installations by Atlanta-based artist Amie Esslinger have collided into one, creating a force that fills the space, conforms to the space, and breaks free from the confines of the space.
VU Salon
1.21.24-4.19.24
This year the Gallery is working to support faculty by curating salon style exhibitions of works used frequently by classes for lectures, exercises, assignments, or culminating projects. By making visual material available for study students' understanding of the work develops over the course of the semester.