Song of Songs
David Bachman[1]
Part I
My Life Context
Growing up Caucasian in the affluent
suburbs of
Life Context of Monica Jyotsna Melanchthon
Monica Jyotsna Melanchthon is a professor
at
Comparison of My Life Context with Monica Jyotsna
Melanchthon’s Context
Monica Melanchton’s life context is
different than mine in great ways culturally but similar in some ways as well. As an educated female living in a overtly
sexually oppressive social system, Monica Melanchton is regularly and directly
affected by issues that harness power of her gender. Working at the Women’s
Questions Raised by my Context to the Text
What is a real and personal relationship with God supposed to look
like? Can we really look at our
relationship with God as similar to the relationship between the lover and the
beloved? From a literal interpretation
of the book, what truths does this poem explore about deep, passionate
love? How do college students interpret
this book to explain love and sexuality?
What does this Scripture have to say about sexuality as understood by
young Americans?
Questions Raised by the Text about my Context
How many of us actually experience love at this depth? What is the difference between love and
lust? Does love between a man and woman
look like this in our culture? How do
college students understand sexuality?
How do Americans understand sexuality?
Has American culture perverted the beauty of sexuality? How can we reclaim the sacredness of
sexuality?
Personal Definition of The People of God
I believe that all of the people of
God are God’s creation, but not all of God’s creation are his people. In the Hebrew Bible, the people of God are
considered largely to be the Israelites who are descended from Abraham who
received the covenant of relationship with God detailed in Genesis 12:1-3 and
15:5. I consider the people of God today
to be those who are also Abraham’s seed in that they “belong to Christ” and are
“heirs according to the promise” as explained in Galatians 3:16 and
Personal Definition of The World
I understand the definition of the world to be both physical and
metaphysical with the latter having a presiding effect on the former. Since the Fall (Genesis 2-3), the original
spiritual state of human beings has been sinful and separated from God. I understand the metaphysical nature of the world to be the result of the collection
of sinful thoughts and behaviors of many people that make up the general
culture or society of the planet. The
world is less than perfect and therefore cannot be connected with a perfect
God. The broken and spiritually fallen
state of the people of the world impacts the physical world in that it becomes
the environment that encourages sin and entices one away from God’s will. A certain scripture concerning the world
stands out to me in particular, namely 1 John 2:15-17:
“Do not love the world or
anything in the world. If anyone loves
the world, the love of the Father is not in him. For everything in the world—the cravings of
sinful man, the lust of his eyes, the boasting of what he has and does—comes
not from the Father but from the world.
The world and its desires pass away, but the man who does the will of
God lives forever.”
Three specific
“ways of the world” are included in this verse to explain the world’s tendency
to directly oppose God. I have seen
these “ways” in my world of college life tempting me and trying to pull me down
with them. In conjunction with verse 17,
the physical and metaphysical world are temporary but the man who follows God
is eternal. I believe that it is
important, however, to discern that God loves his physical creation of the world
and the people who live in it. He loved
the people of the world so much that he sent Jesus to us to rescue us from the
penalty of sin.
Monica Jyotsna Melanchthon’s Definition of the People of God and the World
Though Monica Melanchthon does not
explicitly define her understanding of the People of God or the World, she
seems to place an emphasis particularly on the women of
Influence of Life Context on Definitions of the People
of God and the World
My life context includes themes that
lead to a less optimistic view of the organizational church and more optimistic
view of an emphasis on individuals and their personal relationship with God
being intimate and sacred. I do not
encourage a sense of rebellion against organized religion on a grand scale, but
I do see too much emphasis being placed on the importance of church membership
and involvement over a dynamic personal relationship with God. The people of God must first be described as
children of God and belonging to Christ before members or this or that church
or denomination. If we place our
complete hope and trust in organized religion, we will constantly be hurt
because we continue to struggle against our sinful nature and the sinful ways
of the world. Our complete hope and
trust can only be placed in God and his promises to us as His children. As we receive grace from God in our relationship
with Him, we must have an attitude of grace towards the church as well.
Monica Melanchton’s life context
leads her to focus on issues of women’s rights, specifically sexuality, in
viewing the people of God as joining the ranks of oppressive power
mongers. She sees the world as a hostile
place for women, but she views God as a real source of power for overcoming the
struggle. Through a relationship with
God and a proper interpretation of the Bible, women can have confidence,
reclaim sexual freedom, and stand up against the sociopolitical systems that
limits their role in
Part II
Analysis of the Text I (Anchor Bible Dictionary)
The placement of the Song of Songs
has varied based on the particular tradition that it finds itself. In the Hebrew Bible, the book is placed after
Job and is designated for Passover readings.
In the Greek Bible, it is placed after Ecclesiastes and is considered to
be of the “Wisdom Literature” associated with Solomon. Though we cannot understand how the book was
included in the canon, Jews and Christians both accept the book as a part of
the Holy Bible. Early on much doubt was
raised about the book but the great rabbi Akiba commented in the early 2nd
century towards those who wondered if it “defiled the hands.” He is quoted as saying that the whole world
was not worth the day on which the Song was given to
The authorship of the book has
typically been attributed to Solomon because of the translation of the first
verse. Scholars have also interpreted
the book as being written by Solomon because of the fact that his name is mentioned
six times as well as references to a king.
However, scholars must admit that the true authorship cannot be fully
known. By the same token, the date cannot
be known exactly either. Many scholars
have dated the book to both before and after the Exile but modern scholarship
supports the latter over the former. The
book has been viewed as both one unified story and as a collection of smaller
poems by different authors of different periods that happen to fit together
well.
There is no doubt that the Song
discusses the sexual love relationship between a man and a woman. Here sexual love is seen as not something
that is secondary to the social role of marriage, but rather as having value in
and of itself. Where some may be
appalled that this sexually explicit book made it into the canon, others would
say that the book paints the most beautiful picture of intimacy that man can
achieve. Aside from the literal reading
of the scripture, throughout history the book has been interpreted as an
allegory of God’s relationship with man as a groom and bride. The scripture can be interpreted from both
angles and remain consistent with itself.
In Exodus, sexual love between God and man is inferred in 20:5 where it
says, “The Lord is a jealous God.”
Passages in
Analysis of the Text 2 (International Bible
Commentary)
I view the book of Song of Songs as
a picture of deep love and its development between a man and a woman and
eventually a bride and groom. It is a
picture and example to lovers of the nature of a passionate mutual
relationship. The poem speaks to the
beauty of human sexuality calling for its readers to appreciate the sacred
power of sex and love. I read Song of
Songs with other books of the Greek Bible such as Ephesians and 2 Corinthians
that refer to Jesus Christ as the groom coming to rescue his bride, the Church.
Relationships: LongingàInsecurityàPraiseàFreedom
(1:1-2:2)
1:1-4 The Beloved’s Longing
A maiden is far away from her lover but she longs to be reunited with
him and alone. She notices the way that
other women long for him as well. She
wants him to take her away with him and quickly. She describes the saying of his name as
releasing an intoxicating fragrance.
1:5-8 The Beloved’s Insecurity
The beloved expresses her insecurity saying, “Dark am I, yet lovely,”
and, “Do not stare at me because I am dark, because I am darkened by the
sun.” Having dark skin inferred that one
worked out in the sun in the fields and was apparently less desirable by
cultural standards. Her brothers made
her work in the vineyard because they are angry with her and in the process she
says, “My own vineyard I have neglected.”
The concept of the beloved’s vineyard runs throughout the poem and is
significant because it is the fruits of the vineyard that she gives to her
lover to enjoy.
1:9-11 The Lover’s Praise
The lover compares his beloved to a mare (female horse) harnessed to
one of Pharaoh’s chariots that were all driven by stallions. This reference to a mare is the only use of
the word in the entire Bible. Though I
would never outwardly compare a loved one to a horse today, consider the scene
of a mare entering a courtyard filled with male horses. It is said that an advancing army could be
totally thrown into confusion by the presence of a single mare. I understand this verse referring to the
desirableness of the beloved as well as the effect that she has on him. The lover praises his beloved and speaks of
her body being adorned with jewels.
The lover and the
beloved mutually praise each other’s beauty.
The lover refers to the strength of their
house saying, “The beams of our house
are cedars; our rafters are
firs.” The beloved’s insecurity begins
to subside to an acceptance of her identity in the eyes of her lover as she
praises him in return. She becomes more
free to love him because she has become confident of her desireableness by her
lover. She returns to identifying
herself as a common flower (“a lily of the valleys”), but her lover uses her
words to amplify her uniqueness (“like a lily among thorns is my darling among
the maidens”).
I believe that this procession reveals
the power of love that can only come from Divine Love revealing itself in the
hearts of men and women. Love between
two lovers that is passionate, pure, and lasting can only stand on the tenets
of sacredness, exclusivity, forgiveness, pursuit, selflessness, and intimate
union. These tenets of love are first
seen in the way that God loves his children.
1 John
Sacredness of Sexuality
Exclusive Love
2:6 & 6:3 “My
love is mine and I am his.”
A commonly
repeated phrase throughout the poem is the statement of mutual desire and
possession of one another between the lover and beloved. The two lovers are wildly devoted to one
another. The language that they use to
affirm their love and the continual pursuit of one another seems to leave no
room for anything but an exclusive relationship.
The Body
4:1-15 The
Beloved’s Body
5:10-12 The
Lover’s Body
Again, the theme of exclusivity comes into play here but even more
specifically referring to the beloved’s body.
She is to remain pure and devoted to her lover and he to her. Chapter 3 beginning in verse 7 has
historically been interpreted as the wedding procession where the two lovers
are united in marriage. Chapter 4 is almost entirely devoted to the groom
praising the mysterious and miraculous body of the bride from the top of her
head down to her breasts. The terms
being used to describe her body are all metaphors serving as a way to attribute
her physical beauty to the spectacular.
He desires to love, enjoy, and protect the paradise garden and she
surrenders it to him, inviting him to come into “his garden” and eat (
The average college student cannot
go throughout their collegiate years without hearing of the immense sexual
activity that goes on around their campus.
College has been seen by many as a time to really explore their
sexuality through interaction with many partners and perhaps even little or no
long-term commitment. A reading of the
Song of Songs hopes to restore the sacredness and exclusivity of sexuality to
the covenant of marriage. The world
apart from God often romanticizes a form of love that is counterfeit—always
leaving one feeling insecure in the long run.
The love poem of Song of Songs can drastically change the way that one
thinks of a love relationship both sexually and non-sexually. In reference to the fracture in first love
story in the Garden between God and man, one commentator stated that “within
this drama of brokenness we find the Song of Songs echoing the language of
Relationship with God
One of the most fascinating elements
of this book is the way that the beloved begins to describe her lover with
traits that he describe her with earlier.
The two lives are beginning to look like one. The author uses this element to show the
union between the couple. For instance,
in
Conclusions
I believe that the overall teaching
of the Song of Solomon is two-fold: a man and woman can love freely and enjoy
each other deeply on a personal, social, and sexual level; God and humans have
access to a personal relationship that is similarly free and intimate. A man and a woman can read the Song and find
that their bodies are sacred, their love can be extremely powerful, and
selflessness is the key to a strong relationship. The people of God should feel freedom to
interpret this sexually explicit book in a more literal way to remain in
discussion of passionate love in human terms.
The Church can read the Song and find that God is a perfect lover who
longs to praise and give an identity of oneness to him or her. Being a Christian is not centrally about
serving God or doing certain things to find favor with Him. Rather, being a Christian is centrally about
having a personal, intimate relationship with God through Jesus Christ that
looks similar to or will look similar to the relationship between the lover and
the beloved.
Contextual Character of My Interpretation
My interpretation could be
classified as liberation because of my emphasis on how American college
students need to be set free from the notion that sex can be casual and
nonchalant. Sexual union and intimacy
between two lovers are forces not to be dealt with lightly. The beloved herself warns the daughters of
Part III
Interpretative Differences with Monica Jyotsna
Melanchthon
From the perspective on someone who
lives in Indian culture, Melanchthon interprets Song of Songs as a book that frees
women from oppressive male dominated sex codes known as the Kamasutra.
The practices of Kamasutra
within Indian culture have been defined to be sexually appealing to men at the
cost of a woman’s freedom of sexual expression.
In her commentary, Melanchthon focuses on the freedom of the beloved in
expressing herself sexually to her lover.
There is a mutual sense of love and freedom towards one another. The quality of domination is not present in
the poem of Song of Songs. Because a
woman’s body belongs to the man to use as he pleases, the women of
Though she does briefly mention the
place of an allegorical interpretation, Monica Melanchton does not highlight
the Song as a book showing the mysterious and dramatic love of God for his
people. From my perspective that defines
the people of God as those who have a real and personal relationship with Him
through Jesus Christ, the lover’s passion in pursuing the beloved and the
beloved’s deep desire for her lover are central to understanding the purpose of
the book. The book highlights the
intimate love relationship between God and the church not as a secondary
interpretation to the physical human love but an equally essential
explanation. In fact, the allegory is
impacted by the literal and vice versa in an especially revealing way. Monica Melanchthon seems to unanimously place
the importance of the book on the relationship between men and women. Perhaps we have weighted the interpretation
of this book differently in this aspect because of her role as a female who
works at a women’s resource center and my role as a male who is does not live
in regular awareness of gender differences.
A
particular area of interpretation that Monica Melanchton highlights struck me
as I had not even thought about the level of metaphor involved. She makes note that there is a prominent
emphasis on the role of nature as the location for freedom to express desire
and intimacy. Monica Melanchton explains
how nature is used intentionally to bring out the truth that desire is a
natural and beautiful impulse. Carrying
the analogy further, Monica Melanchton sees the Song stressing the fact that a
woman’s sexual desire is natural and legitimate and should not be suppressed
and controlled. Again, as a American
Caucasian male, I typically take the freedoms that I have been given for
granted. The female desire as natural
concept did stand out to me in other parts of the Song but Monica Melanchton’s
commentary especially revealed to me that perhaps this idea is more central to
the overall meaning than I thought.
Part IV
The teachings of the book of Song of
Solomon are incredibly helpful in the present state of relational breakdown and
sexual bankruptcy that faces many collegiate men and women. Very few people seem to be experiencing or
waiting or have faith in a form of love between a man and a woman that can be
as deep as the love seen in the Song.
American college students can read the Song and clearly differentiate
the difference between lust that so persistently invades our thoughts of
relationships and true love which is harder to witness or experience in the
wake of human selfishness. The Song
seeks to restore the image of a beautiful and selfless love affair between a
man and a woman that is free from the negative and prejudice pressures of culture. College students can read the Song and begin
to have hope that they can give and find the type of love with a mate that is
so explicitly described in the Scripture.
A relationship with God can also be
as intimate if not more intimate than what is described in the Song of
Songs. If a relationship with God does
not progress past sheep/shepherd and master/servant to friend/friend and even
lover/lover, a believer may find himself or herself disillusioned by the responsibilities
and duties that institutional churches can place upon them whether explicitly
or implicitly. God desires to be with
humans and at the core of the human heart is the desire to be with God. In addition to addressing the beloved as the
Church, the book of Song of Songs can also be interpreted to direct speaks to
the individual. The world always
presents to the individual a counterfeit version of love and identity and
purpose. God is inviting the individual
to experience the true form of these blessings in the context of a relational
journey with the perfect lover.
Bibliography
Elliott, M.
Timothea
1998. “Song of
Songs.” p. 893-907 in The International
Bible Commentary. Ed. William R. Farmer, Ed.
Melanchthon,
Monica
2004. “Song of
Songs.” p. 180-185 in The Global Bible
Commentary. Ed. Daniel Patte, Ed. Nashville: Abingdon Press.
Murphy, Roland.
1992. “Song of
Songs, Book of.” p. 150-155 in Anchor
Bible Dictionary. Vol. 1, Ed. David Noel Freedman, Ed.
[1] David Bachman, an undergraduate student at