Early Work
1979 - 1985
As an art student in Kansas during the late 1970's I noticed that the
language used in describing acts of creation was filled with words about
death and violence. We "execute" pieces of art, "shoot"
photographs, and "hang" paintings. It appeared that something
had to be destroyed in order to be created.
Many of the early works incorporated dead animals because it was an immediate
way of dealing with the subject of death. My use of architectural designs
with death-related images was an effort to de-sensationalize an inherently
dramatic subject.
Click here to view
the Early Work
|