"Snead also demonstrates that the recovery of repetition in twentieth-century European literature (e.g., Joyce, Faulkner, Woolf, Yeats, and Eliot) suggests that the dominance of nineteenth-century repression of European traditions that favored priveleged uses of repetition and verbal rhythm in the telling 'in favor of the illusion of narrative verisimilitude' may have 'begun to ebb somewhat'" (BN 198).