"It must a priori and immediately confirm its promise and promise its confirmation. This essential repetition lets itself be haunted by an intrinsic threat, by an internal telephone which interferes with it like a mimetic, mechanical double, like its incessant parody. We shall return to this fatality. But we can already hear a gramophony which records writing in its liveliest voice. A priori it reproduces it, in the absence of all intentional presence of the affirmer. Such gramophony responds, of course, to the dream of a reproduction which preserves as its truth the living yes, archived into the very quick of the voice" (UG 43).